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  • COMME des MARXISTS| Exhibition Space| Photography by Katy Davies

  • COMME des MARXISTS|'Marx on beauty' painted text on wall with two-piece felt suit| Photography by Katy Davies

  • COMME de MARXISTS| Rainer Ganahl- Hermes Marx| Photography by Katy Davies

  • COMME des MARXISTS|Marx Text sculptures| Photography by Katy Davies

  • COMME des MARXISTS|Felt belongs to everybody| Photography by Katy Davies

  • COMME des MARXISTS|Printed T-shirts and interactive display| Photography by Katy Davies

  • COMME des MARXISTS|Marx Toxic, Zip detail inside felt garment| Photography by Katy Davies

  • COMME des MARXISTS|Marx Love Robin Hood, Felt Garments on hanging rail| Photography by Katy Davies

  • COMME des MARXISTS|Private view, exhibition space| Photography by Katy Davies

  • COMME des MARXISTS|Marx ceramic white cloud with black text| Photography by Katy Davies

  • COMME des MARXISTS|'KARL' close- up of two-piece felt suit|Photography by Katy Davies

  • COMME des MARXISTS|Clothes rail with jackets and High Vis|Photography by Katy Davies

  • COMME des MARXISTS|Two Black dresses hung beside orange Hermes Marx flag|Photography by Katy Davies

  • COMME des MARKISTS| Lead Graphic

Rainer Ganahl: Comme des Marxists

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5 October 2018 – 12 January 2019

Comme des Marxists continues Austrian born New York based artist Rainer Ganahl’s long-term investigations into the relationships between daily life, culture, economic systems and political structures. The ongoing project, presented for the first time in the UK, is a contemporary analysis of how capitalism works, injecting humour into Ganahl’s connections between class struggle, politics, design, and consumerism.

Creating connections between the industrial revolution, the on-going class struggles, tragedies such as the Rana Plaza clothing factories in Bangladesh in 2013, the production and consumption of luxury goods, and both fine art and fashion, Ganahl’s project challenges our understanding of the fashion system.

Using a playful, humorous, yet thought provoking approach, the artist drew inspiration from sources as diverse as artists Kazimir Malevich, Blinky Palermo, Richard Serra, and Joseph Beuys; designer Karl Lagerfeld, fashion houses Comme des Garçons and Hermès, high street brands such as Benetton and Joe Fresh, and whistle blower Edward Snowden.

 

 

The exhibition was part of the year-long celebration for the Centre for Sustainable Fashion ’s 10 year anniversary and LCF Arts Programme’s 2018 programme around sustainability held at Arcade East.

Curated by Camilla Palestra in collaboration with Centre for Sustainable Fashion and commissioned by Ligaya Salazar.

Graphic Design by Studio LP